Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Everyone knows Christmas is a time of giving — well, everyone but one wealthy, spoiled college student who's about to get the ultimate wake-up call. When she helps organize a holiday concert at a youth center, little does she know the grumpy cabbie she works with is actually an angel in training.

A woman must decide if she wants to see her ailing mother for one last time, despite fears it could change her perception of their relationship.

Robert wanted an escape from the big city. He thought a small town by the water's edge would give him a new start. He couldn't have been more wrong. This little town has dirty secrets, and Robert just found the worst of them...

It's that time of year again. A tight knit group of five friends attend their yearly reunion retreat. A tradition they have kept alive since high school. This year it's a hike into the beautiful woods of southwestern Ohio. After hiking just a few miles something unexpected goes horribly wrong bringing secrets to the surface of their lifelong friendships.

Lucy discovers the body of a Second World War pilot in the village pond.

失去母亲后，莱克西（Lexi）和她的父亲退居到一座偏僻的小木屋，以排解内心的悲痛……但人死后会变成什么呢？我们是否会变成更可怕的东西？

A psychic tries to help her friend uncover the mystery of a young girl's spirit trapped in her neighbor's abandoned house. Inside , she discovers the portal to another world and something evil lurking behind the walls.

On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.

The plot is based on genuine events: a tendency to abandon subversive activities and surrender of one of the leaders of the Ukrainian counter-revolutionary underground, coroner general Y. Tyutyunnik. The young Chekist Sashko Kovalchuk infiltrates the Kiev counter-revolutionary underground.